Quotes By Forest Dark

“Narrative cannot sustain formlessness any more than light can sustain darkness - it is the antithesis of formlessness, and so it can never truly communicate it. Chaos is the one truth that narrative must always betray, for in the creation of its delicate structures that reveal many truths about life, the portion of truth that has to do with incoherence and disorder must be obscured. More and more, it had felt to me that in the things I wrote, the degree of artifice was greater than the degree of truth, that the cost of administering form to what was essentially formless was akin to the cost of breaking the spirit of an animal that is otherwise too dangerous to live with.”


“Childhood is a process of slowly recomposing oneself out of the borrowed materials of the world.”


“But we didn’t invent the idea of a single God; we only wrote a story of our struggle to remain true to Him and in doing so we invented ourselves. We gave ourselves a past and inscribed ourselves into the future.”


“And yet isn’t it true of all of us? That there are things we feel to be at the heart of our nature that are not borne out by the evidence around us, and so, to protect our delicate sense of integrity, we elect, however unconsciously, to see the world other than the way it really is? And sometimes it leads to transcendence, and sometimes it leads to the unconscionable.”


“After all, the world population of artists has exploded, almost no one is not an artist now; in turning our attention inward, so have we turned all of our hope inward, believing that meaning can be found or made there. Having cut ourselves off from all that is unknowable and that might truly fill us with awe, we can only find wonderment in our own powers of creativity.”


“Doesn’t part of the awe that fills us when we confront the unknown come from understanding that, should it at last flood into us and become known, we would be altered? In our view of the stars, we find a measure of our own incompleteness, our still-yet unfinishedness, which is to say, our potential for change, even transformation. That our species is distinguished from others by our hunger and capacity for change has everything to do with our ability to recognize the limits of our understanding, and to contemplate the unfathomable.”


“Sometimes, reading to my children at night, the perverse thought would come to me that in rehashing for them the same fairy stories, Bible stories, and myths, I was not giving them a gift but rather taking something from them. Night after night i was instructing them in convention. Here are the various forms life can take, I was telling them. And yet i still remembered the time when my older son's mind did not produce known forms or follow familiar patterns, when his urgent strange questions about the world revealed it anew to us. We saw his perspective as a form of brilliance and yet went on educating him in the conventional forms, even while they chafed us.”


“This is why the rabbis tell us that a broken heart is more full than one that is content: because a broken heart has a vacancy, and the vacancy has the potential to be filled with the infinite.” “What are you saying to me?”


“But in the end, it isn’t up to the writer to decide how his or her work will be used.”


“there was stored substrata along”


“When my sons asked the reason for my trip, I said that I needed to conduct research for my book. What is it about? the younger one asked. He was constantly writing stories, as many as three a day, and would not have been troubled by such a question concerning his own writing. For a long time he’d spelled the words as he thought they might be spelled, without any spaces between them, which, like the Torah’s unbroken string of letters, opened his writing to infinite interpretations. He had only begun to ask us how things were spelled once he’d started to use the electric typewriter he was given for his birthday, as if it were the machine that had demanded it of him—the machine, with its air of professionalism and the reproach of its giant space bar, that required that what was written on it be understood. But my son himself remained ambivalent about the matter. When he wrote by hand, he returned to his old habits.”